Nugrill, whodis

Last summer we grilled a lot, as we do each summer, but last year I had to admit that my old Weber kettle grill was looking at the end of its useful life. This was mostly my fault for not always maintaining it as nicely as I should have, but while it could probably still be used…I decided it was time to retire the old grill. It didn’t feel like I had it all that long, to be honest…surely I should have got more mileage out of it! But then, I did some thinking (cue LaFou: “A dangerous pastime!”), and I remember using that old grill when we were still living in our old apartment, and that was a lot longer ago now than sometimes it feels: we moved into this house in spring 2014, so I had the old grill sometime before that. Narrowing it down to when we acquired it was probably impossible, though, unless I had some kind of outlet where I might have recorded something pertaining to when we got that old grill.

If only I had such an outlet for expressing such stuff….

If only….

NARRATOR: Obviously he knows exactly what kind of outlet he had.

Wait a minute! Surely I would have blogged about getting a new grill, wouldn’t I? Why, certainly! And it turns out that we got that first Weber kettle back in 2012, when it was my Fathers’ Day gift. So, we got nearly 14 years out of that old beast, which honestly, isn’t bad at all. I think we got our money’s worth out of it, and hopefully we’ll do likewise with this new grill!

Oh crap, I just gave away the point of the post. Oh well, it was probably pretty obvious, wasn’t it? Here’s the new grill:

She’s a beaut, ain’t she? I love that blue color. The last one was black, which is fine and classic and all that. This one’s blue. Yay, blue! Also, this one is the 22-inch model, referring to the diameter of the grill; the last one was a 19-incher. That means this one is three more. Three! And yes, that will make quite a difference, particularly when I do chicken wings; getting the entire bag of 40-45 wings on the old grill could be a nerve-wracking challenge, but this one will work even better. Plus this one came with a secondary grill that sits on top the main one and provides an elevated “keep warm” surface, and this time we got these two rail-things that clip to the lower grill where the charcoal sits, making it easier to set up zones for indirect heat. The main grill also has a circular center section that lifts out, and they make other inserts that you can drop in there, like a skillet or a flat cooktop or the like. Possibilities! I never did use the old grill for any low-and-slow cooking, but maybe this one…and one gadget I have my eye on is called a Vortex….

How has it cooked so far? Well, my first item on this grill was the burgers pictured above, and they were all kinds of yummy. Tonight (well, as you read this, last night, as I’m writing this on Sunday to publish Monday) I’ll do chicken leg quarters. Next week I’ll do hot dogs, because pan frying hot dogs is fine and all but come on now, the best hot dogs are grilled and we all know this. Also on the horizon are bratwursts and Italian sausages and pork chops and wings and at some point, if only to keep peace in the marriage and please The Red Meat Loving Wife, steak.

Yum, indeed!

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Swiping from Sunday

I haven’t done a Sunday Stealing in a bit, so here we go. This one is a fill-in-the-blank thing, so here are the prompts first:

1. _____ is not the end of the world.

2. _____ tastes so good!

3. Sometimes, putting others first is _____.

4. _____ is breathtaking, really.

5. Well, maybe there is _____.

6.  This week, my plans include _____ .

OK, here are my versions!

  1. Noise in a photo is not the end of the world. (Noise is a kind of pixelation effect that occurs in photos taken at high ISO settings, because the sensor is dialed up to a high level of sensitivity so random photons end up being a part of the final image. Camera sensors are getting really good at managing noise, and most editing software can make short work of noise, but even so, noise in a photo just doesn’t bother me.
  2. Indian food tastes so good! I really wish we had discovered Indian food a lot earlier in life. The problem is, I guess, that you need someone to help guide you a little when you first enter a new culinary world, and we didn’t have that until my brother-in-law dropped in for a visit a while back. (I’m also regretful that Indian food was, for years, the pop-culture stand-in for “gross”.)
  3. Sometimes, putting others first is not smart. There’s a reason the flight attendants always tell you during the safety lecture: “Attach your own oxygen mask first before assisting others.” But also, sometimes people don’t need help or they would actually benefit more from being allowed to crash and burn.
  4. A well-made Manhattan is breathtaking, really. It’s easy to knock the classics, be it a cocktail or a sandwich or a burger or a pizza or whatever. One should always try to remind oneself why certain things are classics in the first place!
  5. Well, maybe there is hope for us all. I mean, the alternative is kind of depressing to consider, isn’t it? I’ve been saying for a while now that I remain bullish on humanity, but pessimistic about my country. I see little reason to waver from that conviction.
  6. This week, my plans include editing photos. After not being able to shoot much for the first few months of the year, suddenly I’ve been on a binge and I am now way behind on my photo editing! I also plan to do a content-creation reset as I’ve been thinking a bit more about my strategies for this kind of thing moving forward. More on that to come….

That’s all! How would you all fill in these blanks?

 

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Something for the day before yesterday

You know how sometimes I have a Something for Thursday post ready to go and I just somehow forget to publish it? Well, this is new: I had the post ready to go…in my head, I just didn’t actually write the damned thing. So…whoops!

Anyway, I don’t have a whole lot of insightful stuff to say about this particular song, which I’ve been meaning to feature in this space for a while. It’s one of my favorite classic rock ballads, and I particularly love its dreamy 1970s synth introduction, but I’ve always wanted to say something more than “Hey, this song has a great intro, and here it is!” In the end, though, there are no rules here and I can write my posts how I want and y’all can just lump it. Harumph!

[Your Humble Narrator is up early and the coffee hasn’t kicked in yet. Bear with him, please. -The editors]

So hey, this song has a great intro. I mean, it really does…there’s just something beautifully dreamy about the way this song starts. I really like it a lot, is all I’m saying. So here’s “Babe” by Styx.

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[screaming intensifies]

Sometimes I enjoy watching POV videos of roller coaster rides, for a number of reasons; the big one is that my roller-coaster-riding days might well be over, especially since I was never much of a coaster rider to begin with. (Going upside-down freaks me out, so I avoid those coasters anyway.) Also, amusement parks aren’t generally high on my list of travel destinations anyway; I’m not even sure I really want to prioritize going to Disney. So, POV videos it is.

This one’s a doozy: it’s for a coaster called “Falcon’s Flight”. I had never heard of it before, so I looked it up, and it’s actually kind of a strange and weirdly depressing story. The coaster is located at the Six Flags Qiddya City park. And where is Qiddya City? It’s a brand new planned resort city being build near Riyadh, in Saudi Arabia. It is essentially a giant playground of a place being build by some of the richest people in the world, just because.

And yet…this coaster. This is utterly amazing. It doesn’t look all that interesting at first, and as you watch this video you might find yourself thinking, “What’s so great about this?” But then there’s a moment where you see where the coaster is going, and you think, “Oh! Oh, wow.”

Would you ride this? I actually think I would!

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Tuesday Tones

Staying in Japan, and in fact sticking with the same composer as last week: we return to Toru Takemitsu, the great Japanese modernist whose music evokes meanderings through time, space, and geometry, as is noted by the title to this work. A Flock Descends Into a Pentagonal Garden is strangely evocative and meditative. Its title gives us a few specifics to focus upon, but not enough to really form a definitive image in our minds: a flock, yes, but of what? How large is this garden? What is growing there, or is it a garden of stones? The work invites us to make our own imaginations as to what exactly we are seeing, what we are hearing, and what we are experiencing. Is the flock gently descending, or it is somewhat forced because of wind? We don’t know. Takemitsu’s modernist mind gives us almost pure abstraction in a shifting world of tonal sound.

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Memoriam

An annual reposting of some things pertaining to Memorial Day. First, a remembrance of a soldier I never knew.

Fifteen years ago I wrote the following on Memorial Day, and I wanted to revisit it. It’s about the Vietnam Veteran whose name I remember, despite the fact that I had no relation to him and clearly never knew him, because he was killed four years before I was born.

Memorial Day, for all its solemnity, has for me always been something of a distant holiday, because no one close to me has ever fallen in war, and in fact I have to look pretty far for relatives who have even served in wartime. Both of my grandfathers fought in World War I, but both had been dead for years when I was born. I know that an uncle of mine served during World War II, but I also know that he saw no action (not to belittle his service, but Memorial Day is generally set aside to remember those who paid the “last full price of devotion”). My father-in-law served in Viet Nam, but my own father did not (he had college deferments for the first half of the war, and was above draft age during the second). So there is little in my family history to personalize Memorial Day; for me, it really is a day to remember “all the men and women who have died in service to the United States”.

One personal remembrance, though, does creep up for me each Memorial Day. It has nothing at all to do with my family; in fact, I have no connection with the young man in question.

When I was in grade school, during the fall and spring, when the weather was nice, we would have gym class outdoors, at the athletic field. On good days we’d play softball or flag football or soccer; on not-so-good days we’d run around the quarter-mile track. But the walk to the athletic field involved crossing the street in front of the school and walking a tenth of a mile or so down the street, past the town cemetery. I remember that at the corner of the cemetery we passed, behind the wrought-iron fence, the grave of a man named Larry Havers was visible. His stone was decorated with a photograph of him, in military uniform. I don’t recall what branch in which he served, nor do I recall his date-of-birth as given on the stone, but I do recall the year of his death: 1967. I even think the stone specified the specific battle in which he was killed in action, but I’m not sure about that, either.

That’s what I remember each Memorial Day: the grave of a man I never knew, who died four years before I was born in a place across the world to which I doubt I’ll ever go. And in the absence of anyone from my own family, Mr. Havers’s name will probably be the one I look for if I ever visit that memorial in Washington. I hope his family wouldn’t mind.

I looked online and found these images, first of Mr. Havers’s obituary and then of Mr. Havers himself. The things you remember. I wonder what kind of man he was. He has been gone for more than half a century. His name is not forgotten.

 

Mr. Havers’s service information can be found on the Virtual Vietnam Wall here. He was born 14 October 1946 and died 29 October 1967, in Thua Thien.

A song: “The Green Fields of France”, by Eric Bogle

 

Well, how do you do, young Willie McBride,
Do you mind if I sit down here by your graveside?
And rest for awhile ‘neath the warm summer sun,
I’ve been walking all day, and I’m nearly done.
I see by your gravestone you were only 19
When you joined the great fallen in 1916,
I hope you died quick and I hope you died clean
Or, Willie McBride, was it slow and obscene?

Did they Beat the drum slowly, did they play the fife lowly?
Did they sound the death-march as they lowered you down?
Did the band play The Last Post in chorus?
Did the pipes play the Flowers of the Forest?

Did you leave a wife or a sweetheart behind
In some faithful heart is your memory enshrined?
And, though you died back in 1916,
To that faithful heart are you forever 19?
Or are you a stranger without even a name,
Enshrined then, forever, behind a glass pane,
In an old photograph, torn and tattered and stained,
And faded to yellow in a brown leather frame?

Did they Beat the drum slowly, did they play the fife lowly?
Did they sound the death-march as they lowered you down?
Did the band play The Last Post in chorus?
Did the pipes play the Flowers of the Forest?

The sun’s shining down on these green fields of France;
The warm wind blows gently, and the red poppies dance.
The trenches have vanished long under the plow;
No gas and no barbed wire, no guns firing now.
But here in this graveyard that’s still No Man’s Land
The countless white crosses in stand mute in the sand
To man’s blind indifference to his fellow man,
And a whole generation who were butchered and damned.

Did they Beat the drum slowly, did they play the fife lowly?
Did they sound the death-march as they lowered you down?
Did the band play The Last Post in chorus?
Did the pipes play the Flowers of the Forest?

And I can’t help but wonder why, young Willie McBride,
Do all those who lie here know why they died?
Did they really believe when they answered the call,
Did they really believe that this war would end wars?
Well the sorrow, the suffering, the glory, the pain
The killing and dying, was all done in vain,
For young Willie McBride, it all happened again,
And again, and again, and again, and again.

Did they Beat the drum slowly, did they play the fife lowly?
Did they sound the death-march as they lowered you down?
Did the band play The Last Post in chorus?
Did the pipes play the Flowers of the Forest?

 

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What an amazing universe….

The things we have enabled ourselves to see never stop amazing me:

Beacon of Light

The heart of galaxy M77 shines brightly in this May 7, 2026, image from NASA’s James Webb Space Telescope. The intense glow is due to gas being pulled by the strong gravity of the central black hole into a tight and rapid orbit around it. The motion of the gas causes it to heat up, releasing tremendous amounts of radiation.

The bright lines radiating out of the center are diffraction spikes. The spikes are not a physical feature of the galaxy, but an optical effect caused by the telescope itself.

Credit: ESA/Webb, NASA & CSA, A. Leroy

Utterly astonishing.

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Butterflies….

Back in April, The Wife and I took a weekend trip to Canada. Among other things that we did, a major planned stop was the Niagara Falls Butterfly Conservatory in Niagara Falls, ON. This impressive facility is just that: a large indoor botanical garden that is loaded with butterflies. Here are some that we saw.

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Something for Thursday

I’m not sure this needs a hell of a lot of introduction. The duo is called Greenvines Duo, and they apparently do acoustic work in the UK and are available for events. I happened upon this cover of theirs while I was trying to decide which performance by the original artists to use…and I decided to just go with this instead, because it’s lovely. The song is, of course, incredibly well-known, so here it is: “Top of the World” by the Carpenters, performed by Greenvines Duo.

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Tuesday Tones

Staying in Japan for the next while, we have a work by one of Japan’s greatest composers: Toru Takemitsu. He lived 1930 to 1996, and he was also wildly productive: he composed a huge and prolific amount of music, and he also wrote extensively on music. One cannot consider oneself acquainted with Japanese music without knowing about Toru Takemitsu. Takemitsu is many things: an avant-garde composer, a proponent of Japanese folk instruments, an admirer of Western modern music. All of that, and more, blended in his work, which is always pictorial and fascinating.

This work appealed to me directly for obvious reasons: it is titled Orion And Pleiades. Written in three movements for cello and orchestra, the work is most definitely modernistic and governed by mood than by melody or traditional form. Is it a musical depiction of these constellations? Or is it a meditation on the feeling of looking into that sky and seeing those constellations hanging in the winter sky? Who knows? 

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