Tuesday Tones

Staying in Japan, and in fact sticking with the same composer as last week: we return to Toru Takemitsu, the great Japanese modernist whose music evokes meanderings through time, space, and geometry, as is noted by the title to this work. A Flock Descends Into a Pentagonal Garden is strangely evocative and meditative. Its title gives us a few specifics to focus upon, but not enough to really form a definitive image in our minds: a flock, yes, but of what? How large is this garden? What is growing there, or is it a garden of stones? The work invites us to make our own imaginations as to what exactly we are seeing, what we are hearing, and what we are experiencing. Is the flock gently descending, or it is somewhat forced because of wind? We don’t know. Takemitsu’s modernist mind gives us almost pure abstraction in a shifting world of tonal sound.

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Memoriam

An annual reposting of some things pertaining to Memorial Day. First, a remembrance of a soldier I never knew.

Fifteen years ago I wrote the following on Memorial Day, and I wanted to revisit it. It’s about the Vietnam Veteran whose name I remember, despite the fact that I had no relation to him and clearly never knew him, because he was killed four years before I was born.

Memorial Day, for all its solemnity, has for me always been something of a distant holiday, because no one close to me has ever fallen in war, and in fact I have to look pretty far for relatives who have even served in wartime. Both of my grandfathers fought in World War I, but both had been dead for years when I was born. I know that an uncle of mine served during World War II, but I also know that he saw no action (not to belittle his service, but Memorial Day is generally set aside to remember those who paid the “last full price of devotion”). My father-in-law served in Viet Nam, but my own father did not (he had college deferments for the first half of the war, and was above draft age during the second). So there is little in my family history to personalize Memorial Day; for me, it really is a day to remember “all the men and women who have died in service to the United States”.

One personal remembrance, though, does creep up for me each Memorial Day. It has nothing at all to do with my family; in fact, I have no connection with the young man in question.

When I was in grade school, during the fall and spring, when the weather was nice, we would have gym class outdoors, at the athletic field. On good days we’d play softball or flag football or soccer; on not-so-good days we’d run around the quarter-mile track. But the walk to the athletic field involved crossing the street in front of the school and walking a tenth of a mile or so down the street, past the town cemetery. I remember that at the corner of the cemetery we passed, behind the wrought-iron fence, the grave of a man named Larry Havers was visible. His stone was decorated with a photograph of him, in military uniform. I don’t recall what branch in which he served, nor do I recall his date-of-birth as given on the stone, but I do recall the year of his death: 1967. I even think the stone specified the specific battle in which he was killed in action, but I’m not sure about that, either.

That’s what I remember each Memorial Day: the grave of a man I never knew, who died four years before I was born in a place across the world to which I doubt I’ll ever go. And in the absence of anyone from my own family, Mr. Havers’s name will probably be the one I look for if I ever visit that memorial in Washington. I hope his family wouldn’t mind.

I looked online and found these images, first of Mr. Havers’s obituary and then of Mr. Havers himself. The things you remember. I wonder what kind of man he was. He has been gone for more than half a century. His name is not forgotten.

 

Mr. Havers’s service information can be found on the Virtual Vietnam Wall here. He was born 14 October 1946 and died 29 October 1967, in Thua Thien.

A song: “The Green Fields of France”, by Eric Bogle

 

Well, how do you do, young Willie McBride,
Do you mind if I sit down here by your graveside?
And rest for awhile ‘neath the warm summer sun,
I’ve been walking all day, and I’m nearly done.
I see by your gravestone you were only 19
When you joined the great fallen in 1916,
I hope you died quick and I hope you died clean
Or, Willie McBride, was it slow and obscene?

Did they Beat the drum slowly, did they play the fife lowly?
Did they sound the death-march as they lowered you down?
Did the band play The Last Post in chorus?
Did the pipes play the Flowers of the Forest?

Did you leave a wife or a sweetheart behind
In some faithful heart is your memory enshrined?
And, though you died back in 1916,
To that faithful heart are you forever 19?
Or are you a stranger without even a name,
Enshrined then, forever, behind a glass pane,
In an old photograph, torn and tattered and stained,
And faded to yellow in a brown leather frame?

Did they Beat the drum slowly, did they play the fife lowly?
Did they sound the death-march as they lowered you down?
Did the band play The Last Post in chorus?
Did the pipes play the Flowers of the Forest?

The sun’s shining down on these green fields of France;
The warm wind blows gently, and the red poppies dance.
The trenches have vanished long under the plow;
No gas and no barbed wire, no guns firing now.
But here in this graveyard that’s still No Man’s Land
The countless white crosses in stand mute in the sand
To man’s blind indifference to his fellow man,
And a whole generation who were butchered and damned.

Did they Beat the drum slowly, did they play the fife lowly?
Did they sound the death-march as they lowered you down?
Did the band play The Last Post in chorus?
Did the pipes play the Flowers of the Forest?

And I can’t help but wonder why, young Willie McBride,
Do all those who lie here know why they died?
Did they really believe when they answered the call,
Did they really believe that this war would end wars?
Well the sorrow, the suffering, the glory, the pain
The killing and dying, was all done in vain,
For young Willie McBride, it all happened again,
And again, and again, and again, and again.

Did they Beat the drum slowly, did they play the fife lowly?
Did they sound the death-march as they lowered you down?
Did the band play The Last Post in chorus?
Did the pipes play the Flowers of the Forest?

 

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What an amazing universe….

The things we have enabled ourselves to see never stop amazing me:

Beacon of Light

The heart of galaxy M77 shines brightly in this May 7, 2026, image from NASA’s James Webb Space Telescope. The intense glow is due to gas being pulled by the strong gravity of the central black hole into a tight and rapid orbit around it. The motion of the gas causes it to heat up, releasing tremendous amounts of radiation.

The bright lines radiating out of the center are diffraction spikes. The spikes are not a physical feature of the galaxy, but an optical effect caused by the telescope itself.

Credit: ESA/Webb, NASA & CSA, A. Leroy

Utterly astonishing.

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Butterflies….

Back in April, The Wife and I took a weekend trip to Canada. Among other things that we did, a major planned stop was the Niagara Falls Butterfly Conservatory in Niagara Falls, ON. This impressive facility is just that: a large indoor botanical garden that is loaded with butterflies. Here are some that we saw.

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Something for Thursday

I’m not sure this needs a hell of a lot of introduction. The duo is called Greenvines Duo, and they apparently do acoustic work in the UK and are available for events. I happened upon this cover of theirs while I was trying to decide which performance by the original artists to use…and I decided to just go with this instead, because it’s lovely. The song is, of course, incredibly well-known, so here it is: “Top of the World” by the Carpenters, performed by Greenvines Duo.

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Tuesday Tones

Staying in Japan for the next while, we have a work by one of Japan’s greatest composers: Toru Takemitsu. He lived 1930 to 1996, and he was also wildly productive: he composed a huge and prolific amount of music, and he also wrote extensively on music. One cannot consider oneself acquainted with Japanese music without knowing about Toru Takemitsu. Takemitsu is many things: an avant-garde composer, a proponent of Japanese folk instruments, an admirer of Western modern music. All of that, and more, blended in his work, which is always pictorial and fascinating.

This work appealed to me directly for obvious reasons: it is titled Orion And Pleiades. Written in three movements for cello and orchestra, the work is most definitely modernistic and governed by mood than by melody or traditional form. Is it a musical depiction of these constellations? Or is it a meditation on the feeling of looking into that sky and seeing those constellations hanging in the winter sky? Who knows? 

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Everybody’s starving, and those shifty Wilder boys are feasting on pancakes?! (a repost)

I’ve seen some social media chatter lately about the Little House books by Laura Ingalls Wilder, and people discovering anew that there is a gaping distance between the Ingalls and Wilder lives portrayed in those books and the reality. (Charles Ingalls, in particular, does not come off particularly well in retrospect; nor does Rose Wilder Lane, for that matter.) All this reminded me of this post of mine from 2012, after I read a book by a Wilder fan.

After reading a wonderful book called The Wilder Life: My Adventures in the Lost World of Little House on the Prairie by Wendy McClure, I feel the need to make a literary confession: I’ve never finished reading the Little House on the Prairie books. For me, fourth grade was the Laura Ingalls Wilder year. After that, it was pretty much over, aside from reruns of the Little House on the Prairie teevee show.

My teacher that year, Mrs. Pies, decided that the Little House books would comprise our “reading aloud” activity for the entire year, where each day she would read a bit of one of the books to us, for maybe twenty minutes to half an hour. We did the books in order, starting with Little House in the Big Woods and getting as far as By the Shores of Silver Lake. Over the next summer I read The Long Winter, and then…well, I started Little Town on the Prairie, but by then, I think I’d petered out.

There’d been a kind of communal experiencing of the books, my classmates and I, as Mrs. Pies read them aloud, and yeah, I liked The Long Winter. But my enthusiasm was flagging by then, we’d moved across the country so I’d never be able to discuss any of that stuff with those kids again, I was discovering fantasy by way of Lloyd Alexander. I have never gone back and finished the series; nor have I re-read them, even. I don’t really remember a whole lot about the books. I remember the teevee show somewhat better, since that aired in reruns every day after school, and I knew enough to note the differences between the show and the books (where the heck did adopted son Albert come from?!).

My memories of the books, then, are a bit on the vague side. For instance, I remember being rather baffled by Farmer Boy — after two books with Laura and Mary and Pa and Ma and company, what the heck were we doing talking about some kid named Almanzo? What was with that highly odd bit about the bullies in the one-room schoolhouse who had literally beaten the last teacher to death, and their defeat by a guy who’d borrowed father’s bullwhip? And the long lecture Almanzo received when he asked his father for a penny or something so he could buy a lemonade, a request that resulted in a lecture on the Sanctity of Work and Almanzo’s gift of a silver dollar and his decision to go buy himself a “good suckling pig”? That whole book just seemed strange.

(Here’s something odd that’s stuck in my mind for thirty-plus years: the “Almanzo gets a lecture on work” chapter wasn’t read by Mrs. Pies, but by a substitute who was an older lady with a gravely, two-packs-a-day voice who tended to speak really loudly. I remember when she got to the end of that chapter, when Almanzo says, “I’m going to buy a good suckling pig!”, this teacher read that last sentence in a Very. Loud. Staccato. Delivery! Before she slapped the book down on the desk. Really weird.)

And then there was the transition from On the Banks of Plum Creek to By the Shores of Silver Lake. The previous book had ended on a typically plucky and upbeat note, but Silver Lake starts off, basically, with “Mary had gone blind and the family had to move. And on the day they moved, Laura went out to get the dog but found him dead.” Yeesh! But Mary was really a goody-two-shoes, wasn’t she? I remember one incident (don’t recall which book) in which Ma suggests that the girls put away something they’ve been looking forward to having – not sure what it was – and Mary says something along the lines of, “Yes, we should put it away, Laura. It will help us to learn self-denial.” Yeesh, again. Self-denial? Sign me up!

The book I remember best is The Long Winter, which is probably because it’s the one I read myself. The fact that I remember it as well as I do probably indicates something positive about Wilder’s writing, since, as I noted above, I’ve never re-read it. But I recall the book opening on a very hot day, with Laura taking sugar water out to Pa in the fields; I remember the Indian who gives the town the warning about the coming winter (and Ma’s reaction, “Indian? What Indian?!” to which Wilder notes, “Ma despised Indians”). I remember Almanzo and his brother hiding their seed wheat from the starving town, and his reasons for doing so (for which he gets atonement anyway when he ventures out with a friend into danger to try and find a farmer who had a good wheat crop). And so on and so forth. But after that book, I’m sorry to say that I honestly lost interest in the ongoing adventures and fates of the Ingallses and the Wilders. Not even the fact that by this time we were living in Allegany, NY – just fifteen miles or so down the road from Cuba, NY, birthplace of Charles Ingalls – could rekindle my interest. I guess I’d moved on. I had new friends, new places to explore, and that same summer I’d discovered Lloyd Alexander, and with him, epic fantasy. (Not that I was done with Kid-Lit Westerns: a year later I’d be introduced to John D. Fitzgerald and The Great Brain. Now those, I read in their entirety.)

So anyway, I didn’t have much of a “Wilder Life”. Not so Wendy McClure, who has been a big fan of the books for all her life, and who decided to make a series of pilgrimages to the actual, physical sites in which the books took place: her “Laura experience”, as it were. McClure travels all over the mid-United States, seeking out what evidence is left in various locales from the books that the iconic literary events happened there. Thus she travels to Pepin, WI, to seek out the Big Woods (which, after I look at the map, I realize were located not far from La Crosse, which is where we lived when I was in kindergarten). She travels to Plum Creek, where she takes off her shoes and goes wading. She goes to De Smet, South Dakota – the Little Town on the Prairie – and to nearly every other location of significance in the life of Laura Ingalls Wilder.

Each time she goes to one of these places, McClure seems a bit disappointed…or maybe that’s not the right word. But the tangible connection to the books and to Laura Ingalls Wilder herself eludes McClure, for the most part, and instead she finds herself interacting with people who love the books or the “Little House” phenomenon but not in the same way. There are fundamentalist Christians who believe that we are living in the End Times and who think the “Little House” books serve as a good functional blueprint for the way Christians are supposed to live; there are other families who are far more well-versed in the teevee show than in the books themselves. (Reading about folks like this, one wonders if they are surprised to learn that the citizens of Walnut Grove actually didn’t dynamite their town.)

I was interested to read about McClure’s uneasy relationship with Farmer Boy, the book in which the Ingallses disappear so we can learn about Almanzo Wilder’s youth. Even in fourth grade, Farmer Boy seemed like a ‘weird cousin’ of a book, and thinking back, I do realize that McClure’s main complaint – that everything in the book turns out well for the Wilder family and they pretty much fail at nothing – is not without merit. McClure posits that Farmer Boy was Laura Ingalls Wilder’s own idealization of the world of her youth, just as for many today, the “Little House” books themselves are the same thing. They certainly are for McClure, who goes to great lengths to experience what Laura experienced. All the way to churning her own butter, which she describes thusly:

I would come to learn several things about buying a butter churn on eBay:

1. Most of the churns are not actually for churning. I’d thought I was in luck when I saw dozens of listings for charming wooden churns come up on the Search Results page. That was before I realized they were all four inches high and used to hold toothpicks. It turns out that on eBay, churns are far more common as an empty signifier than as signified object, with an alarming number of churn-shaped things used to hold plants, cookies, paper towels, and toilet paper. The idea that you might actually want an old-fashioned churn to do the task for which it was named starts to seem kind of strange.

2. Newer dash churns seem to exist, but nobody wants to admit it. Apparently every dash churn is an antique, even when it’s listed as ‘never used’. How is this possible? Was churn hoarding a popular hobby back in the day? Maybe people received multiple churns as wedding presents and just stuck the extra in closets, the way we do today with stick blenders? It’s a mystery!

3. When talking to friends about buying a dash churn, one must be careful when making hand gestures. Do not simulate holding the dash in your hands and pumping it up and down, lest it appear you are talking about hand jobs. (Let’s not talk about how I learned this lesson.)

4. The cost of shipping and handling for a dash churn with two-gallon stoneware crock will surprise you. I think it was enough to pay for one of Mary’s semesters at Iowa College for the Blind.

You have to admire that level of dedication to finding out what things were like in the Big Woods and on the Prairie. I can honestly say that I have never felt the slightest inclination to churn my own butter.

Reading McClure’s book fills in some of the blanks for me, as far as Laura Ingalls Wilder’s life goes. It’s interesting to read about the things she left out of the books, and the ways she ‘corrected’ the chronologies so as to make for better novels. I was actually surprised to learn that there actually was a baby Charles, in between Carrie and Grace, who died in infancy; I always figured that the teevee show made that up in order to give Laura a chance to blame herself and run away from home so she could find the highest mountain in the area in order to get closer to God so she could bargain for her baby brother’s return but to find guidance from a guy who looks suspiciously like Ernest Borgnine but who may actually be an angel. (Whew. I’m not making that up – and seriously, if you want to watch something that will jerk your tears and jerk them hard, get a hold of that two-part episode. Boy Howdy. It’s one of those things that can make me tear up if I just think about it enough.)

I know that as a kid, we stopped by one or more of the various Little House sites on our trips across the country, but my memories of these are very vague. No, I never had much of a “Wilder Life”, and the Little House books are, for me, books I read and not a whole lot more. They’re in the backdrop of my literary life, but not a major part of it. I’m glad to have read McClure’s book, though; reading about someone’s enthusiastic passion is always a joy, no matter whether the passion is shared, as long as the book is well-written. And this one is. Long Live Laura!

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Sunday Stealing, plus a few other thoughts

Some weeks, the Sunday Stealing quiz is big and hefty and can sustain an entire post on its own. Other times, not so much:

Which one?

1. Pepsi or Coke?

Coke, honestly, but it’s not a super-strong preference. I’m not disappointed if I’m at a place that only has Pepsi products. I do, however, lean much more strongly to the Zero Sugar versions of these drinks, and Coke Zero doesn’t seem to have the reach in its fountain form that Diet Coke does, and I hate hate HATE Diet Coke.

Also frustrating is that I probably need to order Caffeine-free Coke Zero from Amazon, because it is simply impossible to find in stores.

2. Cappuccino or coffee?

On an everyday basis, coffee. But I do love a good cappuccino! I could make one at home, I suppose…somewhere in the garage I have an espresso maker that has the steaming wand for milk. It always seems a bit of extra effort, though.

3. Chocolate or vanilla?

Either, both are wonderful. Vanilla is a beautiful thing that has somehow come to be synonymous with “boring”, and this I do not get. 

4. Hot tea or iced tea?

Hot. I am really not a huge fan of iced tea. Strange that I didn’t inherit that from my mother; she drank iced tea by the gallon.

5. Dinner for two or a party?

The dinner, though honestly, I haven’t been to a party in so long that maybe I’m being unfair to parties.

Other thoughts? Well, here’s some random thinkage:

::  One book I read this past winter was a Japanese novel, translated to English, called The Convenience Store By the Sea. It was actually a collection of short stories, each of which takes place in or around a convenience store in a seaside town in Japan. All of the stories are quiet, low-intensity stories that follow a main character through a particular challenge in their life, and each one is solved or surmounted in part because of their association with this particular store. At the time I thought the novel was pleasant enough…but I’ve found myself thinking more and more about it since I read it. I have just learned that this is actually an entire literary genre in Japan and Korea, called “Healing fiction“. I plan to read more of this stuff as soon as I can.

::  Of course, I’m not reading low-stakes stuff entirely! I also read Empire of Silence, which is a gigantic epic space opera novel that is the first in a series of gigantic epic space opera novels. My roots always call me home, eventually….

::  As I write this, the Buffalo Sabres’ season may come to an end this evening, as they are down 3 games to 2 in their playoff series with the Montreal Canadiens. I root for the Sabres, because they’re the local team, but I still generally know almost nothing about hockey. Their playoff appearance has been lovely to behold, though, in terms of the mood around town. I will say, though, that the degree to which the fortunes of the local sports teams plays into Buffalo’s general level of emotional health doesn’t seem ideal to me.

::  Also as I write this, it’s May 16, which means we’re on the back half of May. And that means that spring at long last seems about to genuinely feel like spring. We even have a burst of outright hot weather in the forecast, as Monday is supposed to be over 80 degrees, which will be our first time hitting that mark since last September, I think. Scenes like this will be more and more frequent, moving forward:

Always remember to turn your baked potato so it bakes evenly!

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Happy birthday Uncle George!

George Lucas,
born this date 1944

George Lucas remains, perhaps, the single largest influence in my creative life. When 800 years old he reaches, may he look as good!

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Something for Thursday

From the Before and After Again art installation, Buffalo AKG Art Museum. More photos from this exhibit here.

Four years ago was one of the worst days in Buffalo’s history: a racist gunman came all the way to Buffalo to murder Black people in a grocery store. That’s literally what he did and why he did it. The shooter has already pled guilty to the charges in his actions and on that basis will never again see the outside of whatever prison he’s in, but Federal charges are still pending, with a trial scheduled later this year. That’s about all I care to say about this guy. For some people there simply isn’t a hole deep enough.

IN terms of music, I don’t know. The day is a somber one, and it has me thinking of the movie Mississippi Burning, made in 1988 or 1989 and depicting events from 25 years before that…and yet, how constant and present the attitudes shown in that film are. So, today, a soundtrack suite from Mississippi Burning, music by Trevor Jones.

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